watches and jewellery

ISSUE #98 SPRING EDITION

DRIVE MY CARRERA

ON THE COVER - We give a “cool Dad” makeover to the 60-year-old cult favourite from TAG Heuer, the Carrera, photographed by FIONA TORRE

ISSUE #98 SPRING EDITION

THE NEW CARRERA

INSIDE THE COVER STORY - Bold. Gleaming. First in its class. The new Carrera is the latest entrant in the six decade career of TAG Heuer’s iconic watch. And in the cover story, Frédéric Arnault brings Simon de Burton up to speed

ISSUE #97 WINTER EDITION

NEW LETTERS, NEW LANGUAGE

INSIDE THE COVER STORY - Jaeger-LeCoultre’s Reverso has long been both mechanical marvel and canvas for the maison’s artisans and craftsmen, now with a new identity, the 1931 Alphabet, created with artist-typographer Alex Trochut, the watch gets a new lease of life

ISSUE #97 WINTER EDITION

DREAM FACTORIES

ON THE COVER - Jaeger LeCoultre Reverso’s new alphabet with Alex Trochut, photographed by CARL DINER

ISSUE #96 AUTUMN EDITION

REAL LIFE LUXURY

ON THE COVER - Fast lane, living with Richard Mille’s Ferrari watch, photographed by ANAICK LEJART

ISSUE #96 AUTUMN EDITION

LIVING IN THE FAST LANE

INSIDE THE COVER STORY - Richard Mille’s tie-up with Ferrari was never going to be a small matter of co-branding - you just put the prancing horse on an average watch and, sure enough, the UP-01 is both a technical tour de force and a surprising new direction for one of watchmaking’s most radical innovators but there’s a very simple idea at the heart of Richard Mille’s record-breaker

ISSUE #95 SUMMER EDITION

PAST PERFECT

INSIDE THE COVER STORY - Cartier’s updated classics brim with the machine-age modernism of the house’s roots

ISSUE #95 SUMMER EDITION

TRADITIONALLY MODERN DESIGN

ON THE COVER - A bird’s-eye view of Cartier 2022, photographed by PHILIP SINDEN

ISSUE #94 RELAUNCH EDITION

IT'S A NEW DAWN, A NEW DAY

MOVING ON - Welcome, once again, to QP Magazine. After a short break, we’re back, but not quite as you knew us. So, what’s changed you might ask? The answer is, like the world outside, everything and nothing. And of course, we re-start with a classic, but likewise, a revised one, Audemars Piguet's Royal Oak, photographed by ADAM GOODISON